writer's block

Intermission for a Word from the Editor

If this blog seems like it is in an odd phase, it might be. In 2022, I fell into a pattern of writing drafts and never publishing them. And for the past several months, I’ve been resurrecting those. It’s strange and uncomfortable to dig up these past pieces. And there were so many drafts of the same posts. I had a writer’s block of sorts, yet was still writing all sorts of things. Things that went in totally different stylistic directions, at times. I didn’t feel so good about the writing at the time, for reasons that didn’t feel like good reasons. Or maybe I just didn’t feel good about publishing them. For some of these pieces I didn’t know where, or if, they fit in. Or I felt that my sense of timing was off. Or I was just in a weird phase personally. Maybe a combination of all of that. In short, I did not feel great about what I was doing – but I was doing it anyway. I was simply not sharing it.

I am used to managing posts in mostly real-time, as it were – as events are happening and the writing is fresh. Right now it’s a real mix of past and present. And then tying it all together. The result of this production feels confused, if only to myself. I will sort it out, but it may not quite add up for a while. I am doing this because I want to practice allowing things to be what they are. For now. I have had to tell myself before, to consciously be in a state of allowing. Not only with craft, but also in life. I enjoy breaking out of my patterns. I enjoy patterns and cohesion; I also enjoy blowing it all up creatively. Unattached to what came before. Actively detaching. I like a good challenge. I do not always want to visit the same places I have been, and for better or worse it shows. Craft can be an adventure. An experiment. The rest of my life is fairly routine. Craft is the escape, the dream, freedom.

I could’ve just let those old pieces go. But I never intended to hold them back. So I will just keep adding in this random assortment; this chocolate box of different stuff. The habit of hiding is one I’ve been breaking for years.

Mystery is a lost art. I wanted it bring back, but I can sometimes do it too well.

What is Our Power? – Notes from a time of writing trash #3

A better world isn’t always created by taking the safest journey. Or the more agreeable journey. So why keep myself restricted, protected, enshrouded as an artist, even as a person?

In a truly better world for ourselves- a freer world we’d want to be in – a world where we can see opportunity and we actually take it – where we embrace the fullest expression of ourselves – we’re even more alive. This world already exists (especially here in this place). Whether we live that truth or not. So, why not?

There’s the risk of course. And the fear. But why are the risk and the fear really so bad? Objectively, they aren’t. I could come up with some excuses, and also with legitimate reasons, for allowing the fear to halt this whole process. But are those good enough for me today? And what if we choose to simply ignore all of that? Even fully disidentify with it? We could. Separate the fear from ourselves, objectify it, look upon it with a bird’s eye view, own it rather than allowing it to own us. And so transforming the sense of risk. Can true freedom even happen, without risk? There needs to be some baseline of stability, a foundation from which to build. Yet how could we feel optimally alive – so alive, without the contrast of a prior fall, or at least the prospect of peril? As we have earned this aliveness precisely by conquering fear. Which is only the fear we inherited – others’ fear! Not even ours to begin with. So, we can begin to give that back.

I speak from my own “successes” and also my “failures,” because I want to be proud of them both the same, because they have fed one another, and because the total fullness of life is upon us for the taking. And I have been the type of creator to leap off of metaphorical cliffs. I am no stranger to that type of risk, the experiment. At times, even fully allowed for the judgement of certain peers who would rather we corral and contain ourselves into one coherent message, absent any sign of a multifaceted complexity. Yet, all this without an underlying willingness to get past myself and honor all of it, and be truly free. But that closet of potentials is full now, so full. Why? I hardly want to know because that feels like a detour — on a day-to-day basis I just want to do.

Do for today, like yesterday and all this other stuff doesn’t even exist. It’s survival. Right? Do my job in the straight and narrow, linear professional world, and the artist in that moment doesn’t exist. Be the romantic in one project, a punk in the next, and the twain never meet. But why can’t I embrace the whole?

Why compartmentalize all of this incredible existence? Why live for poetry, and then pretend to be a five-paragraph essay? What do I feel I need to represent, that would disallow the artist? Do I think that I’ll die and life will be over if I dare to take on all that I could possibly give? It’s some type of irrationality, a purgatorial prison. But it absolutely will be temporary and I am going to kill it off. I am going to kill this character, this persona who won’t let me have all that I am destined to be. If I can not do it, bring these ideas to light, then who else can? They are out there, and the ideas may not wait for me. And the others like me too, afraid to the point of paralysis? They are out there also, I know. We’re never the only one. Right? So, what are we doing?

What is going on today that makes some of us who have so much to say, want to hide? Like this part is ok but this part is not. Elevate this, but disown that. It doesn’t matter. Forget all of that. All the dumb stuff that there is, out there, and what are we worried about? Are we afraid to look stupid? To disappoint? Any stupider and more disappointing than the stupidest most disappointing junk that is already happening all around us? What do we imagine we will lose? How can that seem so much more than, what we will certainly gain? Who is going to punish us? But then, who will reward us? To those who would leave us just for having an imagination, just for having the daring – are they even good enough for us? Perhaps not. That has got to be okay. Are we here on this planet just only for them? Are we? Our imagination is our power. This manifests our best possible world. There are more like me out there. We have our day jobs. We have our lives. We keep our act together. Our… act. But deep inside we know we can do something else too, perhaps something we are even better at.

Why limit ourselves? What if, creatively, we had no limits? What would we do? What if we woke up today and we had a brand new life, and we started over from scratch? Who would we allow ourselves to become?

July 6, 2022

Notes in a Time of Not Writing, #1

Water. I love it. All water. The mesmerizing and meditative quality of water. An implied unknown in its depths. The movement, the sound of it, its independent ever-changing form that can’t be shaped or molded, and the overwhelming mystery and vastness of its quantities. Creating patterns while resisting routine. Possibility is the word that comes to mind. Possibility. One place to another, never stagnant.

It calms and it stirs me up at the same time. I drag my fingers through it and watch the rings of light flicker across the surface, feel the movement on my knees and legs.

If only we could accept ideas – accept each other – accept unexpected circumstances – as much as we can accept water simply for what it is. A totally

independent and ever-changing form. That can’t be shaped or molded

beyond what it is doing momentarily.

Water responds but can’t be entirely controlled. No rigid and tired principles and values to cling to. If only we could better accept ourselves the way we accept water.

And experience more freedom. And the paradise before us here on earth. Embracing us. All of us. No it is not stupid to have this thought. It is absolutely not stupid. And

it is hardly even for you or me to decide

what is stupid. I don’t even care what you are against. That’s tired. I want to know what you are for.

I start with this excerpt, this particular piece, from the mess of words I wrote for months and didn’t post, because I had the kind of writer’s block that tells you so many lies.

Writing reflects the mysteries of life and consciousness. I can’t tell you what makes me feel so timid and afraid inside one minute, and so bold and carefree the next.

I, too, have been afraid to express the total fullness of life.

And I admire this element, water, that most reminds me what living is. Is to change. Art is this thing that has to embrace a state of allowing. Total and complete. Allowing is really the state of creativity, of touching creation.

But original creation encounters resistance from pre-existing, established entities. Which in some historical sense matters, but in an absolute sense means absolutely nothing.

I consider the fears and the insecurities and the haunted dreams. I consider the histories and the responsibilites and the rebellions and the failures.

And I gather all these thoughts in my hand, with all the feelings attached to them, every single feeling, and I open my hand over the river, and I lean and bend my mouth toward them, I inhale and bend toward the light with all these thoughts, toward the water’s direction, and I blow.



Life is an adventure – remember?

A tea kettle whistling – someone else is up at 5:53 am too. A neighbor.

I’ve had a writer’s block and an artist’s block at the same time – I don’t remember the last time that happened.

I remember when I could claim that this never happened. I didn’t really believe in being blocked. And maybe that’s still true.

Or maybe I just didn’t believe in it because it hadn’t happened to me, which is how so many ill-informed beliefs are born.

Or maybe when you have little to no responsibilities in life, it’s easy to be unblocked. Adventure slips through your fingers.

I simply, chose other things to happen.

I skim through some old stuff. What was I even going on about? What was I doing? Was it good? Which direction now?

Who is even reading this? Why do I create a public stage, broadcast a public channel in which to hide?

Suffering gets boring. How much of it is worth expressing?

I don’t regret recording it.

Paralysis, though – that’s an empty space – but something happens in that.

In the space of doing nothing.

A mystery to us. It doesn’t always seem worth examining.

This mystery wasn’t, isn’t.

Consciousness needed to shift. Without analysis or interrogation.

I take out my pen, for something that can’t be erased. I prefer the hand just a little bit childlike sometimes.

Like what’s always come most naturally – a style mostly resisted.

What was wrong with that?

Why resist anything? Why resist anything?

It’s not always worth it to be so adult. What is beyond adult?

The struggle is too adult.

But artists aren’t childish, like they insinuate.

Art is ageless. Period.