literature

The problem with poetry in “America” #2


Part of the beauty of words is their definitions. But poetry understands definition to be a light thing. Lightness. An inexact art. Yet also a very precise art. But art requires flexibility, mutability, permeability, transformation. Art requires the flowering of unexpressed potentials.

Poetry is obviously the art of words. But because words are also useful, because they are also practical, because we associate them with a function, a very necessary and functional part of life, we want to understand them. We must understand them. We must, essentially, conquer them. Force ourselves upon them.

Poetry can not be forced upon. Poetry will always resist conquering. Not necessarily on purpose, but by nature. Meaning can be beautiful or it can be tyrannical. Poetry resists tyranny.

This is the problem with poetry. “America” does not like to think that there is anything that can not be conquered. Poetry is an unacceptable defeat.

Where we do not win, we reject.

Swiftly, immediately.



The problem with poetry in “America,” is its strength


There’s no real problem with words. Words are not the problem. It’s the meaning we assign to them. The values we assign to them. What we decide they’re worthy of. What we decide they’re used for. That’s the trouble.

Words are not inherently stupid. It’s opinions. Opinions can be so cheap.

Poetry isn’t cheap.

And we love cheap. We treasure the truly cheap. That’s the problem with poetry.

Poetry captures the invaluable. All that is invaluable.

All you could not hope to capture.





Observation #5

He told me that some woman he’d almost-dated or whatever walked up to him in public and said, “You’re a VILE person.”

I had embraced him as he was. Because. After having appealed to our greater existence, or the soul’s source of existence – as in, whatever that thing IS that creates us that is bigger than us – I thought, there is no good and there is no bad in the highest level of consciousness.

Later, after exposing all our fragments of psyche to the real, appealing to the soul again and again, having it blown apart, and piecing it back together, I thought,

Still. There is still no good and there is still no bad. Good and bad is a useful construct for civilization. But it is also an illusion. I am only aware enough to understand it. But I am not aware enough to feel something else. Something outside anguish.

Sometimes words are a sixth sense.

And a message from a place beyond the conceived real. Even, a plea from this place. I thought, I don’t see it like her. But I know why she used that word.

“Vile” is a euphemism for “evil.”