Creativity

What is Our Power? – Notes from a time of writing trash #3

A better world isn’t always created by taking the safest journey. Or the more agreeable journey. So why keep myself restricted, protected, enshrouded as an artist, even as a person?

In a truly better world for ourselves- a freer world we’d want to be in – a world where we can see opportunity and we actually take it – where we embrace the fullest expression of ourselves – we’re even more alive. This world already exists (especially here in this place). Whether we live that truth or not. So, why not?

There’s the risk of course. And the fear. But why are the risk and the fear really so bad? Objectively, they aren’t. I could come up with some excuses, and also with legitimate reasons, for allowing the fear to halt this whole process. But are those good enough for me today? And what if we choose to simply ignore all of that? Even fully disidentify with it? We could. Separate the fear from ourselves, objectify it, look upon it with a bird’s eye view, own it rather than allowing it to own us. And so transforming the sense of risk. Can true freedom even happen, without risk? There needs to be some baseline of stability, a foundation from which to build. Yet how could we feel optimally alive – so alive, without the contrast of a prior fall, or at least the prospect of peril? As we have earned this aliveness precisely by conquering fear. Which is only the fear we inherited – others’ fear! Not even ours to begin with. So, we can begin to give that back.

I speak from my own “successes” and also my “failures,” because I want to be proud of them both the same, because they have fed one another, and because the total fullness of life is upon us for the taking. And I have been the type of creator to leap off of metaphorical cliffs. I am no stranger to that type of risk, the experiment. At times, even fully allowed for the judgement of certain peers who would rather we corral and contain ourselves into one coherent message, absent any sign of a multifaceted complexity. Yet, all this without an underlying willingness to get past myself and honor all of it, and be truly free. But that closet of potentials is full now, so full. Why? I hardly want to know because that feels like a detour — on a day-to-day basis I just want to do.

Do for today, like yesterday and all this other stuff doesn’t even exist. It’s survival. Right? Do my job in the straight and narrow, linear professional world, and the artist in that moment doesn’t exist. Be the romantic in one project, a punk in the next, and the twain never meet. But why can’t I embrace the whole?

Why compartmentalize all of this incredible existence? Why live for poetry, and then pretend to be a five-paragraph essay? What do I feel I need to represent, that would disallow the artist? Do I think that I’ll die and life will be over if I dare to take on all that I could possibly give? It’s some type of irrationality, a purgatorial prison. But it absolutely will be temporary and I am going to kill it off. I am going to kill this character, this persona who won’t let me have all that I am destined to be. If I can not do it, bring these ideas to light, then who else can? They are out there, and the ideas may not wait for me. And the others like me too, afraid to the point of paralysis? They are out there also, I know. We’re never the only one. Right? So, what are we doing?

What is going on today that makes some of us who have so much to say, want to hide? Like this part is ok but this part is not. Elevate this, but disown that. It doesn’t matter. Forget all of that. All the dumb stuff that there is, out there, and what are we worried about? Are we afraid to look stupid? To disappoint? Any stupider and more disappointing than the stupidest most disappointing junk that is already happening all around us? What do we imagine we will lose? How can that seem so much more than, what we will certainly gain? Who is going to punish us? But then, who will reward us? To those who would leave us just for having an imagination, just for having the daring – are they even good enough for us? Perhaps not. That has got to be okay. Are we here on this planet just only for them? Are we? Our imagination is our power. This manifests our best possible world. There are more like me out there. We have our day jobs. We have our lives. We keep our act together. Our… act. But deep inside we know we can do something else too, perhaps something we are even better at.

Why limit ourselves? What if, creatively, we had no limits? What would we do? What if we woke up today and we had a brand new life, and we started over from scratch? Who would we allow ourselves to become?

July 6, 2022

Notes in a Time of Not Writing, #1

Water. I love it. All water. The mesmerizing and meditative quality of water. An implied unknown in its depths. The movement, the sound of it, its independent ever-changing form that can’t be shaped or molded, and the overwhelming mystery and vastness of its quantities. Creating patterns while resisting routine. Possibility is the word that comes to mind. Possibility. One place to another, never stagnant.

It calms and it stirs me up at the same time. I drag my fingers through it and watch the rings of light flicker across the surface, feel the movement on my knees and legs.

If only we could accept ideas – accept each other – accept unexpected circumstances – as much as we can accept water simply for what it is. A totally

independent and ever-changing form. That can’t be shaped or molded

beyond what it is doing momentarily.

Water responds but can’t be entirely controlled. No rigid and tired principles and values to cling to. If only we could better accept ourselves the way we accept water.

And experience more freedom. And the paradise before us here on earth. Embracing us. All of us. No it is not stupid to have this thought. It is absolutely not stupid. And

it is hardly even for you or me to decide

what is stupid. I don’t even care what you are against. That’s tired. I want to know what you are for.

I start with this excerpt, this particular piece, from the mess of words I wrote for months and didn’t post, because I had the kind of writer’s block that tells you so many lies.

Writing reflects the mysteries of life and consciousness. I can’t tell you what makes me feel so timid and afraid inside one minute, and so bold and carefree the next.

I, too, have been afraid to express the total fullness of life.

And I admire this element, water, that most reminds me what living is. Is to change. Art is this thing that has to embrace a state of allowing. Total and complete. Allowing is really the state of creativity, of touching creation.

But original creation encounters resistance from pre-existing, established entities. Which in some historical sense matters, but in an absolute sense means absolutely nothing.

I consider the fears and the insecurities and the haunted dreams. I consider the histories and the responsibilites and the rebellions and the failures.

And I gather all these thoughts in my hand, with all the feelings attached to them, every single feeling, and I open my hand over the river, and I lean and bend my mouth toward them, I inhale and bend toward the light with all these thoughts, toward the water’s direction, and I blow.



Observation #6

Bad art isn’t low-quality.

Art itself is neutral. It assigns neither meaning nor value to itself. Art is just various manifestations of consciousness that already exist anyway.

In truth, low-quality has nothing to do with art.

Low-quality is a state of mind. Low-quality is when you think you are better than other people — or, it’s when you let yourself think that other people are better than you.

Two Visions

To create something of this time, speaks to the now. And may realize impact now. But with no guarantee of a future.

To create something ahead of its time, could only realize that level of impact later. And may not have significant influence now, nor enjoy full appreciation now. But its value may increase beyond expectation – later.

Nobody really knows exactly what later will look like. Nobody really knows the values of the future.

But the now has its flaws, and the future is more likely to admit it. The future’s success lies in the inevitable incompleteness of the now.

And the success in the now, is in that which is concerned with yesterday’s weaknesses.


Bad Reviews

I watched a really good show and was curious about the reviews, so I looked them up. I read a surprisingly bad review. This was after recently reading a bad review of a particular style of art, the whole lot of it comprehensively dismissed.

It occurs to me that sometimes a bad review just comes from a poor imagination.

And/or conspicuous personal prejudices on the border of philistinism.

It’s not this or that. One or the other. It is AND

My style or I guess you could say my interest is the total fullness of life. It is not look at this but ignore that. It is not, fall in love halfway. It is all the way. It is not, take only this but not that. Elevate this but reject that. It is the total fullness of a person, of life.

It is, if you’re going to do something—anything—do it it all the way. Commit yourself. But commitment also requires flexibility. I have not always been willing to take the bad with the good. But when I have I have almost never regretted it. At some point in the process, the self is exceeded.

Sometimes I have committed to misguided projects or the wrong goals. But I don’t believe I commit to the wrong people, insofar that I even could. They’ve been meant for me somehow, and I for them. Sometimes I did not succeed to love them completely enough. Often. I’ve only recently learned how to do this, or to focus upon it better. And I make mistakes. In better moments I own them now, even when others don’t. Apologize, even when others don’t. See someone, even if I am unseen. It’s not a weakness. It’s not a sickness. It’s a clarity I want to see more of in the world. It’s a humility. Not a humiliation. It’s an appreciation.

It’s an expansion of the mind and especially the heart. I want to be in a world with more curiosity and a willingness to grow. If it causes pain, it is more painful to live only for one’s own egocentric and woefully limited consciousness.

My love of art and poetry came first. But I did not love them all the way either, for a long time. I had some toxic influences. Art is a very difficult occupation. Yet an incredibly kind influence also. And almost like a force of nature.

Some will make you feel bad about what you have to offer, as if it’s worth less than something they do. Though they may feel superior, these people’s attitudes are as easy as they come, and not hard to find. Continue. Do it more. That’s the only way. Some do not understand that it is a useless enterprise to try and break someone down, who is not going to give up anyway. They will hardly know that their arguments achieve nothing. They think they know what they are talking about. But they do not know. Nobody knows what is really going on especially outside of their own little bubble. There’s a reason arrogance is unflattering – it can only serve one. It’s someone handing you shit on a silver platter, as if the packaging makes a difference.

People do not reject you when it seems they do. They reject a second-hand idea. They reject a part of themselves they don’t want to see, or would rather disown. Because they do not allow themselves the same freedom. Because they have a template in their mind, or a temple. Your piece does not fit perfectly into their finite puzzle. Because they do not realize that you can have that, and also this. Have me, and also have you. You can have the total fullness of life.

We are single

They want us to think we are single because we are crazy. Crazy is anything unique. They want us to blame ourselves. They want us to get plastic surgery. They want us to be “second-hand people” with second-hand ideas, second-hand appearances, personas, lifestyles, like Krishnamurti said but few people listen to people like him. We think we are too intelligent for that. We think we don’t need it. We think it’s not worth it.

We think we should mute our intensity. Because why take the word of a philosopher that the only way out of mediocrity, is to fully embrace the white-hot intensity of our consciousness. We think there is something better than that. Something better than the full potential of our own brilliance. Something better than the best thing you have to offer. “Mediocrity” used to be something that one would question. But now if you say the same word, you’ll probably only offend someone. In this way, we stand up for it.

We are single because we could never fit a pre-filled idea, and everyone knows it but they also don’t. We are single because we care about this moment right now more than about origins. We are single because origins are something we tear down and forget. We are single because options make us oblivious to options. We are single because we are not comedians, and we live in a place that just wants to be entertained.

We pretend that being different is something exotic, like it’s a value. But then mute our differences to make ourselves more desirable. And then push those same crap expectations on everyone else. But everyone else is corrupted except for us. Everyone else is brainwashed but us. We are free, but a lot less inquisitive than we believe. Brainwashed even by our own image, our own identity, thus rendered shallow. We pretend that we want something deep, yet deeply reject what that means. Crave the serious yet turn it down, staring us in the face.

We are single because we’re imperfect. Single because we are hurt. But this isolation is welcomed. This isolation is celebrated. Single because it is worth it. Single because we deserve it. For lack of imagination, clinging perhaps to a past we once had, an experience, but could never recreate. Single for lack of reality. Single because, even when not single, we think about what makes us so. Or what could.

We are small but we don’t always think so. Yet colossal for reasons we never asked for, and don’t want to be. Single because we have theories. Or for lack of curiosity. For lack of appreciation. And for lack of energy. For lack of creativity. Single for arrogance, intolerance, and stupidity. We are single for sensitivity. And more so, for insensitivity.

We are single for priority. We are single for lack of nuance. And literally, for lack of romance. We are single for personality. Single for lack of character. We are single for fear. Single for pride. And for all that’s petty. Single because we are better than them. But more so because we are worse.

We are single because there is always something better than the best you can do for someone.

We are single because we are singular. We are singular. Yet wary of true fragility and the total fullness of life, refuse to be so seen. We do not even think we are. Someone else is. Someone is whatever we define ourselves against. And this is how we define. Is to separate. We are single because each person we encounter is not worth as much as the pedestal we put ourselves on. Yet we quell our own fire. We are single from becoming, from embracing, the very thing we most admire, most strive for, here. Independence. Freedom.

And its own brand of rejection, for us to excel beyond. Disconnecting. There is a whole world inside a person. Then all its rivals. We are special, yet committed to normal. Our normal. Standards which can’t spark the will to grow. But that’s what earns the right to exist with us, to stay. If we can find it. The rest is a waste. We serve and take what we already have, and no more. All this, there is nothing more American now perhaps. But it kills us too. We die for it. Die for more. Die to be more. Bereft, for all that could be. We, die. We

die. We –

Us. Die.

And then we tell ourselves this is courageous.






art


i’m drinking a tangerine Italian soda at 11:20 at night. the apartment is messier than usual. it doesn’t matter. there’s no good enough reason to be motivated to mind. it’s been one of those days. it’s gloomy out. nothing better to do than create things. supplies scattered around everywhere. computers. books. papers. i live here. fully live here. nobody is in my way. but i kind of wish there was.

there are those who would have you believe that doing this sort of thing makes you selfish. selfish to spend so much time on art, like you’re so important. selfish to write about yourself. no, selfish to not be writing about somebody else. talking about somebody else. existing as if you value everything else more so than what is inside you.

as if every other activity out there isn’t selfish. as if watching tv isn’t selfish. the person who assigns worth to something is yourself. the person who decides something isn’t worthy is you. but it feels like it’s everyone else who decides. decides that their meaningless and half-assed pursuits are somehow okay but yours isn’t.

am i supposed to just let the ideas die? what happened to the life of the mind. i literally have nothing better to do. i could make more money and work myself to death but i already have one job and i like it. i just don’t watch tv. i don’t want to. it’s boring. there i said it. it’s fucking boring. except when there’s company. when there’s company, it’s entertaining and enjoyable. that’s how i feel about it. maybe if i really loved alone time with my tv, i’d be too busy for art. it’s practically sacrilegious to say that out loud. i wouldn’t want tv gone forever. it’s just not what every person who exists on this planet is here to do with their time.

making art is not selfish and self-centered just by default. art is for others. as much as for the self, maybe more so. art is made with audience in mind. with communication in mind, however abstract. i use myself but i am not writing to me. I am writing to them. i am writing to you. i am writing for you. when i write, it is you i am thinking of. art is made because humanity desires it. humanity needs it. but i fail. like anyone i fail. so i keep doing it. i show up to fail. i hope the next time i will get it right. it takes a lifetime. but that’s okay. art is made to make the world a better place. a richer, more beautiful and more honest place. imagine a world entirely devoid of art. seriously.

you can be a megalomanic doing any sort of occupation in life. not just art. look at the world’s wealthiest people and how we admire them and excuse their flaws. and then look at poets. it’s REALLY damn hard to be an egotistical poet. maybe for a short time, but it likely wouldn’t be sustainable. poetry is humbling. nobody cares, at least in real life. “nobody” as in, society at large. in most cases it doesn’t pay because the world does not respect you enough to think that you deserve it. it’s even harder to please a crowd than in music, or visual art also. but these are all tricky occupations. you do it because you want to and you feel it is needed. you need it. others need it too and you know it. even if it doesn’t always seem like it, others need it.

you show up as your inadequate self. you may never quite match that pre-filled idea that someone else hopes, and you are passed up for better investments. you are rejected over and over, and in so many nuanced ways. and you show up.

you know that the rest sucks even more. the alternative fucking sucks. so you get up and you start again.






All There Is To Remember

I took photographs of the long row of palm trees in the way off distance that we’d soon enough cross in the car.

The palm trees looked like fairy flowers, the kind you pick and blow wishes off when you’re a kid. Like dancers of all different heights, lined up in unison. Like the way your heart feels inside, when free of comparisons and worries.

I watched you as you talked, for the right moment to take a photograph.

The first lights of cars on the other side of the freeway began to flicker on. Dusk was not that near. Some must have been daylights auto-sensing impeding change, prematurely.

I focused on the line of your jaw. You looked handsome but I didn’t tell you. The landscape flat, the clouds thin, orange trees and wiry weeds to the sides.

I wanted to talk to you about music, but didn’t. I was tired of feeling stupid. I do it to myself, I guess I find others to confirm it.

Later, once we’d settled in to the cabin, once we were walking, the mood was about to shift.

I sensed the irritation when I lingered too long at the top of the hill. I love you, I thought. I’m sorry. I had to take more photographs.

I’ve never seen clouds like this in my life. It’s special, I’m sorry. My heart was sinking. I had to get the pictures. I tried to take them faster.

I recall the gorgeous picture of the palm tree in LA, the one you’d sent me in the very beginning, when we first met. Large imperfect leaves reaching into irregular directions that collectively balanced out into an odd symmetry.

Not a banal snapshot; it captured a wildness. It wasn’t about the tree – it was the way you had framed it in the shot. Your style of looking. You get it. You were speaking my exact language. I thought “this is my man.”

I don’t know if it was on purpose or an accident, the innate sense of choice. What’s called an eye. Or maybe not even that – maybe you just understood how to capture a feeling.

“Why can’t you catch the next flight, I’ll pay for it” in a smile I could hear over the phone.

I don’t know if that was the real you, or if this is.

We have different sides of ourselves. I guess I held the sides of you, that you’d rather disown. I held them along with the rest of you, with all of you, or I tried so hard to, but from your point of view, maybe, there was only one side to be on.

It just, wasn’t mine.

Artists are immature. Artists just need to grow up. It’s just, not very adult.

I didn’t understand.

It was all a mistake, a misunderstanding.

I focused the shot on your silhouette in the light. Beautiful.

Hurry up, I told myself.

Hurry.

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