September 2, 2019
I want someone
May 13, 2020
AFTER THE SHOCK
Long, meditative, simple, slow, mesmerizing scenes. This windy cell phone clip was just a spur-of-the-moment snapshot from real life, but I’ve always admired the often-dreamy or poignant motif when used in actual movies. I’d love to see even more movies daring to decelerate. To conduct more subtle representations. Daring to prioritize the art of the film over and above other considerations. Daring to embrace less lucrative choices.
Daring, just by their existence, to subvert ACTION.
Lingering, sustained scenes that extend a moment out in time and space. Like a poem can do – maybe that’s what’s so appealing. Asking for attention to be held. Attention held on a moment. A moment easily overlooked, easily taken for granted, a moment to be experienced more intensively.
Scenes to yield into. To take a kind of refuge in. Akin to stretching muscles after a long sleep. Or scenes to be challenged by, too.
This is not elitist. This is about the quiet things.
Quiet things need time, space, and attention to be let in. To be let in. Because they are not attention seeking. Versus the rather violent presence of that which does grab our attention, demand it, steal it, and in a way, corrupt it…
April 3, 2020
The hawk. Something about all this reminded me of it from months ago, and I dug it up again. And I’d like to post the video. But WordPress doesn’t allow for posting it in the format I want. As I intermittently avoid the issue amidst the other chaos, then venture to search again for a workaround, I keep thinking about it, writing about it. I am lingering on this a bit longer than I’d like, but maybe that is just the point. To linger. To slow down.
I do not work in the movie industry, I am just someone with a camera and a perspective, who happens to also make money with cameras, who happened to have only a cell phone on hand on the day I encountered the bird.
“It’s a bit LONG,” someone said. Yeah.
But I like that.
April 16, 2020